Friday 25 September 2015

Fellow (1620s) Wood Colliers in the USA


I recently discovered another fantastic blog written by Rick McKee, a traditional Carpenter from New England, who last week blogged about the traditional Charcoal burn at the Plimoth Plantation museum in Massachusetts.  


https://www.plimoth.org/

The museum recreates life in Plimoth in the 1620s,  so it's charcoal burn is very relevant to our charcoal making as it might have been in 1599. 

I emailed Rick and he has put me in contact with Mark the lead Collier (and a blacksmith at Plimoth) who has had 22 years of charcoal making! Needless to say I am now going to ask Mark soooo many questions about how they do it over there!

I REALLY recommend checking out Rick's blog especially his charcoal entry from 17 September 2015

https://blueoakblog.wordpress.com/2015/09/17/kind-of-coal/



Wednesday 15 July 2015

Glimpses of Colliers in the record - Bristol

This post is a short analysis of the brief mentions of 'Colliers' in Bristol Record Society's Publications Volume XLIV: TUDOR WILLS PROVED IN BRISTOL 1546 - 1603.

http://www.amazon.co.uk/Bristol-Records-Societys-Publications-1546-1603/dp/0901538140/ref=sr_1_1?ie=UTF8&qid=1436956410&sr=8-1&keywords=tudor+wills+proved+in+bristol



There are  one hundred and ninety-two wills transcribed in the book, and perhaps not unsurprisingly, only two mention Colliers: one as a benefactor of a will and the other the will of the Collier himself.

The wills:


[Will] 67   MARGARET JOONS, widow, [St Thomas], (23 November 1597).
Testatrix’s debts 23 November 1597: 
to Margery 10s 
to Mistress Pr[e]wett 8s 
to Mary Hill 2s 
to Robert Stevens 3s 9d 
to Richard Stevens 3s 4d 
to “bucher the collier” 3s 
to John Cooke 1s 4d 
to Richard Lentorn 1s 
to Robert Humphery 4s

Sick of body. Soul “to the hands of god my creator & to Jesus Christ my savior.” To be buried in the churchyard of St. Thomas. 
                Executrix Alice Maisy her Servant 

Overseers: John Grigg and Thomas Prestwood. 

Memorandum: “William Weall hath a ceverlett in pane [pawn] for v s”





[Will] 151  EDWARD AVERY, collier, St.Philip, 7 December 1600, nuncupative, proved 19 November 1601. 

Soul to almighty God, body to be buried in St. Philip’s churchyard. 
                To daughter Fortune £3 which his brother-in-law Thomas Brewer owes him, one ewe and one lamb. 
                Residue to wife Alice, executrix. 


Witnesses: Mr. Thomas Baynard, William Maynard, John Avery of St. Philip’s.

Analysis:


MARGARET JOONS

“Bucher the collier” is the only benefactor referred to by his trade and it is in inverted commas;  I suspect this is reflecting Margaret's exact words of who she owes money to and only knew Bucher by his trade rather than Given name?  This implies, to me at least, a less than personal relationship and the debt may well be for charcoal supplied for her domestic use?  Jumping a bit to conclusions there, I know, but not a lot to analyse really... 

EDWARD AVERY

This will is nuncupative, i.e. spoken not written; this could perhaps reflect the will of an illiterate man?  Also, it took over eleven months to be proved, but looking through the book at other wills this does not seem uncommon and may reflect the legal process rather than anything unusual in Edward's will or estate that would cause delay?  

The frustrating aspect to this will is it's brevity: he leaves his (beautifully named) daughter, Fortune, £3, a ewe and a lamb then the "Residue" to his wife.  This might be illustrating he was a man of few processions or maybe he had too many to list, and as they were all going to his wife why bother listing them?  The word residue, implies a small amount, but it is impossible to know.  There is no mention of a house or chattels, but I am guessing he had land or at least grazing rights to own (at least) a Ewe and a lamb?

His brother in law owes him a fair amount of money at £3 - a sack of charcoal sells at 8d (ish) in period - so £3 is 90 bags of charcoal... a good amount of work to produce this kind of capital  to loan to anyone.  This perhaps reflects that Avery had more interests than just charcoal making to have that kind of money to be owed him? Perhaps he was a small time husbandman too? St Phillips, his parish of residence was 'outside the walls'  and rather nicely the Braun & Hogensburg map of Bristol, published 1581, shows plenty of sheep grazing around the city. I have highlighted St Philip's on the map below to show it's 'rural' nature.


Map from http://historic-cities.huji.ac.il/british_isles/bristol/maps/braun_hogenberg_III_2.html




So all in all I seem to have raised more unanswerable questions than anything else, but that's historical research for you.

Wednesday 8 April 2015

Images of Charcoal Makers

I am collecting as many images of Woodcolliers as I can from the late sixteenth, and early seventeenth century. That said, it is fair to say that being the marginal group that Woodcolliers were there aren't that many images around.  Here are a few I have found so far, or course I will post any more as I find them.


This is one I found on a 'Cries of Rome' pamphlet dated 1612, interesting sausage shaped sacks, not very big.....



Image online at https://s-media-cache-ak0.pinimg.com/originals/8d/ce/69/8dce6988c6a7c483ad338ee42506472c.jpg

...when compared to the ones in  this 1610 statute  from London that specifies the size of sacks as:  "The length of a Colliers Sacke, one yard and a half. The breadth three quarters of a yard." That is 54 inches long and 27 inches wide.


I am not sure of the provenance of this image, I was sent this image by a friend some time ago and I can't remember who it was!

I think this shows a collier emptying a sack into an inspectors 'regulation' sack to prove his is the correct size.... or the chap holding the sack open might be the charcoal maker?  What makes me think otherwise is his stick - a measuring device?



This is the one  depiction of an English collier I have and a nice depiction of 'high shoes', commonly called startups by modern re-enactors - though there is some dispute over this term. Also  a nice image of a purse hanging from his belt.

I have made a few charcoal sacks to the 'regulation' size and they are a fair size, below is a picture of myself stood next to one full of charcoal.  It took two of us to lift this; unlike the muscle bound collier above!



The last image I have found was drawn by French artist Jaques Callot (C.1592 -1635) and is of St Alexander of Comana, also known as 'the Charcoal Burner', who died around 251 AD. 

Image online at http://en.wikipedia.org/wiki/Alexander_of_Comana

He is the patron saint of Charcoal Burners and although this is a depiction of a figure from the early days of Christianity who lived in what is modern day Turkey, he seems to be wearing contemporary early seventeenth century western clothing.  Not sure I would want to carry a sack of charcoal on my back though!



Saturday 28 March 2015

A snippet from Page 168 of 'Industry in the countryside' by Michael Zell:

The chapter is about the cloth industry so the quote is demonstrating the ubiquitous nature of spinning equipment, but it is an interesting glimpse of the wealth of a charcoal maker. I so need to get a wheelbarrow!


"The goods of James Basset Of Goudhurst, collier (d. 1580), totalled just £3 3s., according to local appraisers. He owned no livestock or farm goods his professional tools (Including two wheelbarrows) were valued at just 3s.,  but in his house were the requisites for spinning:  three spinning 'trendles',  a pair of stockcards and a pair of handcards."